Stromlaufplan

#Elektrotechnik Stromlaufplan (Deutsch) - schematic diagram, circuit diagram, wiring diagram, circuit (English)

More electrical terms >>

Bock

Bock (Deutsch) - trestle, bearer, frame, upright,
support, bracket, horse (English)
More truck parts terms >>

ragend

#mechanicalengineering ragend (Deutsch) - protruding (English)
More mechanical engineering terms >>

Drahtkneuel

#Welding #Schweißtechnik Drahtkneuel / Vogelnest (Deutsch) - bird nesting (English)
This refers to a phenomenon in welding.
Example: Welding wire "bird nesting" occurs in the drive rolls of a wire feeder.
More welding terms >>

Anpasselement

Anpasselement (Deutsch) - adaptor (English)

A device for connecting two parts, especially ones of different sizes or with different mating fitments.

More Deutsch/English mechanical terms >>

Auflagewinkel

#Mechanical Auflagewinkel (Deutsch) - cant rail angle, support bracket, mounting bracket, bracket (English)

Vernetzungsplan

#Netzwerke Vernetzungsplan (Deutsch) - network topology (English) 

Vierkantbuchse

#Mechanik Vierkantbuchse (Deutsch) - square bushing (English)

Erdanschlussklemme

#Elektrotechnik #Electrical Erdanschlussklemme (Deutsch) - grounding clamp, ground connection clamp, ground terminal (English)

Profilschiene

#Montage Profilschiene (Deutsch) - top-hat rail (English)

Schweißtechnik Drahtkneuel

#Welding #Schweißtechnik Drahtkneuel / Vogelnest (Deutsch) - bird nesting (English)

This refers to a phenomenon in welding.
Example: Welding wire "bird nesting" occurs in the drive rolls of a wire feeder.

Freiflächenanlage

#Photovoltaik #Solarenergy Freiflächenanlage (Deutsch) - ground-installed system (English)

Überbreite

#Trucks #Lkw Überbreite (Deutsch) - wide load, excess width (English)

Plutarch’s Moralia

The face on the moon

Sec. 929 - note

The first evidence of the moon’s heat was obtained by Melloni in 1846 by means of the newly invented thermophile.

Sec. 934

The apparent color of the moon in total eclipse was as late as the 16th century adduced as evidence that the moon had light of its own, a notion entertained as possible even by W. Herschel.

The principles of cold

Sec. 953

The poets tell us that the Night was born of Earth and mathematicians demonstrate that night is the shadow of Earth blocking the light of the sun.

Aristotle - The Physics - Books I-IV

xxx

Aristotle never represents the supreme being as the creator of the material universe. On the contrary, he believes in the eternity of matter-in-motion.

xliii
It was Socrates who brought forward the general conception of classes or kinds in which there was a group resemblance amid individual differences. It has ever since remained at the basis of science and philosophy alike, for it is the principle of generalization and classification.

lxvii

Aristotle urges throughout the Physics that no mechanical movement is self-initiated by matter.

lxix

In Aristotle’s time the precession of the equinoxes had not been observed.

The story of Rubha Devi

Om trayambakam yajaamahe sugandhim pushtivardhanam,

Urvaarukamiva bandhanaan mrityor mukshiya maamritaat.

Meditate on the three-eyed reality that causes all life to flourish,

Just as the gourd is cut from bondage to the plant, may the soul

be liberated from the body at death, for the soul is immortal,
Fear not death.

Essay on Nature by Ralph Waldo Emerson, published 1803-1882

Page 176

natura naturans vs. natura naturata

In Aristotelian terms natura naturans would be form and activity, and natura naturata would be matter. These terms were probably first used by Averroës, the Arabian commentator on Aristotle; later, Nicolas Cusanus, Giordano Bruno and Spinoza employed the same distinction. Natura naturata, or nature passive, is used by pantheistic philosophers to distinguish the universe in its ultimate, unitary significance from the universe as aggregate of objects.

Inorganic corporate slave

I

I’m a techie, a linguist, a Guru, a geek,

I’m an inorganic corporate slave,

From Sanskrit to Latin from Urdu to Greek,

I’ll talk to you on every plane.

                        II

I’m a virus, a Trojan, a drone and a freak,

I’m online, I’m offline,

I post once a week,

I’m everything you ever craved.

                        III

I’m an avatar inside you,

I’m inside your head,

On the plane of reality,

I’m willing to transmit.

                       IV

I’m neural, I’m viral, I’m visceral, I’m sleek,

I’m a voice on the cosmic waves,

I’m a signal from heaven,

I’m a roar from the deep.

I’m a blip on your hyper plane.

                       V

I’m an algorithm, your customer,

Your master, your drone,

I provide you everything you need,

From service, to feedback,

From data to tweets,

I encourage your compliance,

To stay on the trajectory of growth.

Written by Martin Forrestal, July 2013

Notes from the poems of Mandelstam

Konstantin Nikolaevich Batyushkov (1787 – 1855), a contemporary of Pushkin, was one of the greatest of Russian poets. ‘The Dying Tasso’ is among his best-known poems.

Essay on Experience by Ralph Waldo Emerson, published 1803-1882

Page 74

The consciousness in each man is a sliding scale, which identifies him now with the First Cause, and now with the flesh of his body; life above life, in infinite degrees. The sentiment from which it sprung determines the dignity of any deed, and the question ever is, not what you have done or forborne, but at whose command you have done or forborne it.

Fortune, Minerva, Muse, Holy Ghost, — these are quaint names, too narrow to cover this unbounded substance. The baffled intellect must still kneel before this cause, which refuses to be named, — ineffable cause, which every fine genius has essayed to represent by some emphatic symbol, as, Thales by water, Anaximenes by air, Anaxagoras by (Noûs) thought, Zoroaster by fire, Jesus and the moderns by love; and the metaphor of each has become a national religion.

Aristotle on the Heavens

Aristotle on the Heavens

VI

Books IX 25 - 71 & X

XXV

There cannot be more than one world. Since the existence of a world implies the existence of a transcendent being to move it, a plurality of worlds would entail a plurality of transcendent movers, which is an impossibility.

Page 2

Body is defined as a species of the continuous.

Page 24

According to Simplicius, it was believed that the astronomical records of the Egyptians went back for 630,000 years, and those of the Babylonians for 1,440,000.

In Chapter VII Aristotle argues that the body of the world in not infinite.
In Chapter VIII he argues that there cannot be more than one world.
He says that a thing that did not move would not be a body at all. πâѵ σŵμα αίσθητòѵ ëχϵι ...

Page 78
The elements move more quickly as they approach their natural places.

Page 87
ouranos : is world, heavens or sky.

Page 93
aeon is the total time which circumscribes the length of life of every creature, and which cannot in nature be exceeded.

Ch. XII, Page 127

The impossibility of anything that was once eternal afterwards being destroyed, or anything once non-existent afterwards being eternal, may also be seen from less general and more scientific arguments. Things which are destructible or generated are all subject to change. Change takes place by means of contraries, and physical bodies are destroyed by the agency of the same elements of which they are composed.

Ch. VII, page 180

The notion was widely held in antiquity that bodies moving through air became heated by it.
Cf. Lucretius vi. 178: plumbea vero glans etiam longo cursu volvenda liquescit.
(A leaden ball in whirling through a long course even melts)

Ch IV, Page 293

As the triangle is the elementary plane figure to which all plane figures can be reduced, so the pyramid is the elementary solid.

Ch V, Page 303

The elements, then, are neither infinite in number nor reducible to one, and must therefore be (a) a plurality but (b) a limited number.

Extract from The Bhagavad-Gita translated by Barbara Stoler Miller (Bantam Books, 1986)

‘ You grieve for those beyond grief,

And you speak of words of insight;

But learned man do not grieve

For the dead or the living.

Never have I not existed

Nor you, nor these kings;

And never in the future

Shall we cease to exist.

Just as the embodied self

Enters childhood, youth, and old age,

So does it enter another body;

This does not confound a steadfast man.

Contacts with matter make us feel

Heat and cold, pleasure and pain.

Arjuna, you must learn to endure

Fleeting things – they come and go !

When these cannot torment a man,

When suffering and joy are equal

For him and he has courage,

He is fit for immortality.

Nothing of nonbeing comes to be,

Nor does being cease to exit;

The boundary between these two

Is seen by men who see reality.

Indestructible is the presence

That pervades all things;

No one can destroy

This unchanging reality…’

Theoretical Bases of Indo-European Linguistics - The set of numerals

Notes from the book

Theoretical Bases of Indo-European Linguistics

Winfred P. Lehmann

Publish by Ruthledge, 1993

Notes on the numerals 1 to 10 in Indo-European languages

The set of numerals

P253

Numeral systems in general are constructed around some selected standard, often that of the digits of one hand or both. The Sumerian system is constructed on the set of fingers for one hand; 6 is 5 + 1, 7 is 5 + 2, and so on to ten, which is an independent lexical item, as are the numbers 1-5. The Indo-European system is also based on the digits of one hand (Greek pénte ”five” – Hittite pankus “the whole”), but differs from Sumerian in having independent lexical items for 6, 7, 9, and probably 8 as well, although the suggestion has been made that the word for eight is a dual of the etymon of Avestan ašti- “four fingers” that was selected to represent the numeral (Henning 1948: 699).

After 10, differences are found from dialext group to dialect group. Gernaic and Baltic represent 11 and 12 as “one left over” and “two left over”, Latin and Greek as 1-10, 2-10, but from 13 the Greek form is “three and ten”, etc.; moreover, Latin represents 18 and 19 as “two from twenty, one from twentty”. More such forms that are restricted to one dialect or one dialect ggroup could be cited.

The numerals from 20 to 100 show further differences. For our purposes those numerals may be adequately represented by giving side by side representations for 20, 40, 60, 80, 100.

Numbers	Sanskrit	Greek	Latin	Gothic
20	viṃśatí	eikosi	vīgintī	twai tigjus
40	catvāriṁśát	tetterákonta	quadrāgintā	fidwor tigjus
60	ṣaṣtí	heksékonta	sexāgintā	saihs tigjus
80	aśītí	ogdoékonta	octōgintā	ahtautehund
100	śatá	hekatón	centum	hunda

P254

Treatment of the system of the lower numerals has yielded explanations for those to 5. Proto-Indo-European *oinos has long been explained as based on the root ^?ey- “this one”. I have proposed that the word for two is based on the root *dew- “further”, as in Hittite tuwa “distant”. Moreover, that the word for three is based on the root *ter- “even further”, as in Sanskrit tiráh (1990a: 40). We may recall that Greek énē “the third day” is in origin “that (day)” (Specht 1944: 16). And if the Hittite meywes is a reflex of the Proto-Indo-European word, an additional numeral has been explained (Neu 1987: 176-7); based on the root *mey- “lessen”, the word for 4 would represent the lesser hand of four fingers, in contrast with 5 for the whole hand. The initial system would then have been based on pointing to objects – first as closest at hand, second as farther from the speaker, the third even farther, while the words for 4 and 5 represent symbolizations with four and five fingers.

The most convincing explanation for the words for 6 to 9 is by means of borrowing or calques, although the word for 9 may be related to the root *new- as in Latin novus “new”.

German technical terminology

Stopfbuchsbrille (German) gland follower, follower, gland flange

Latin quotes

Res nolunt diu male administrari
Things refuse to be mismanaged long

Latin proverb:
Crimen quos inquinat, aequat
You can speak to your accomplice on even terms

Primi in omnibus proeliis oculi vincuntur
The eyes are the first to be conquered in every battle

Essay on Friendship by Ralph Waldo Emerson, published 1904

Page 214

Emerson writes what a friend is:

A friend is Janus-faced; he looks to the past and the future. He is the child of all my foregoing hours, the prophet of those to come, and the harbinger of a greater friend.

Glossaries - a Lemma

A proposal of my own (would you call it a Lemma?):

If you remove all verbs from a glossary about a particular theme there will be no loss of knowledge in the glossary about that theme.

Amphisbaena

Amphisbaena a mythological, ant-eating serpent with a head at each end, spawned from the blood that dripped from the Gorgon Medusa’s head in Greek mythology.

Victor Hugo, Les Contemplations (L'Hydre)

"Car, au-dessous du globe où vit l'homme banni,
Hommes, plus bas que vous, dans le nadir livide,
Dans cette plénitude horrible qu'on croit vide,
Le mal, qui par la chair, hélas ! vous asservit,
Dégorge une vapeur monstrueuse qui vit !
Là, sombre et s'engloutit, dans des flots de désastres,
L'hydre Univers tordant son corps écaillé d'astres ;
Là, tout flotte et s'en va dans un naufrage obscur ;
Dans ce gouffre sans bord, sans soupirail, sans mur,
De tout ce qui vécut pleut sans cesse la cendre ;
Et l'on voit tout au fond, quand l'½il ose y descendre,
Au delà de la vie, et du souffle et du bruit,
Un affreux soleil noir d'où rayonne la nuit !"
- Victor Hugo, Les Contemplations, VI.26 Ce que dit la bouche d'Ombre

La légende des siècles

L'hydre Univers tordant son corps écaillé d'astres ;

The Hydra-shaped universe twists its body covered in scales of stars ;

Old Norse

Hann tekr sverthit Gram ok leggr i methal theira bert. (He takes the sword Gram and puts it in the middle of their bed.) - Nordic mythology, Völsunga Saga

Urdu - Gaelic similarities

Kinara (= at the water's edge in Urdu); Cinn Mhara (= head of the sea in Gaelic); Kinvara (English) – amazing similarities!

Noam Chomsky's book "New Horizons in the Study of Language and Mind"

An interesting passage from Noam Chomsky's book "New Horizons in the Study of Language and Mind," published in 2000

Pp 120, 121

He talks about the computational procedure in language having no counters:

"The computational procedure has properties that may be unique to it, in substantial part. It is also "austere", with no access to many of the properties of other cognitive systems. For example, it seems to have no "counters". It registers adjacency; thus every other syllable could have some property (say, stress). But it cannot use the notion three. There are no known phonological systems in which something happens every third syllable, for example; and syntax seems to observe a property of "structure dependence", unable to make use of linear and arithmetical properties that are much simpler to implement outside the language faculty."

Page 161

"It has very recently been discovered that while insects seem marvelously adapted to particular kinds of flowering plants, in fact insects achieved virtually their present diversity and structure millions of years before flowering plants existed. When they appeared, 'there was already waiting for them an encyclopedia of solutions waiting for the problems to be solved,' Richard Lewontin (1990) points out intending to stress the meaninglessness of these intuitive categories for biology."

Page 163

"Darwin firmly denied that he attributed 'the modification of species exclusively to natural selection', emphasizing in the last edition of Origin of Species that 'in the first edition of this work, and subsequently, I placed in a most conspicuous position – namely, at the close of the Introduction – the following words: 'I am convinced that natural selection has been the main but not the exclusive means of modification.' This has been of no avail. Great is the power of steady misrepresentation' (cited in Gould 1982). Darwin took explicit note of a range of possibilities including nonadaptive modification and unselected functions determined from structure." 

The book "After Babel" by George Steiner - excerpts

From the wonderful book "After Babel" by George Steiner, 1992 on page 97:

Seeing a dripping spring, an Apache will describe it as 'whiteness moving downward'.

Page 137:

It is commonplace to insist that much of the distinctive Western apprehension of time as linear sequence and vectorial motion is set out in and organized by the Indo-European verb system. That system with, as Émile Beneviste emphasizes, its referral only to the subject and not to the object, and its supple classifications of conditions of state, makes up the locale, the 'time-space' of our cultural identity.

Page 165:

It has long been established that the Indo-European frameworkof of threefold temporality - past, present, future - has no counterpart in Semitic conventions of tense. The Hebrew verb views action as incomplete or perfected. Even archaic Greek has definite and subtly discriminatory verb forms with which to express the linear flow of time from past to future. No such modes developed in Hebrew. In Indo-European tongues 'the future is preponderantly thought to lie before us, while in Hebrew future events are always expressed as coming after us'.

Page 166:

I would want to argue strongly that man alone has developed a grammar of futurity. Primates use rudimentary tools but, so far as has been observed, they do not store tools for future usage.

P234:

There is experimental evidence, derived from the measurement of fossil fuels, that Neanderthal man, like the newborn child, did not have a vocal apparatus capable of emitting complex speech sounds.

P236:

Talleyrand's maxim: 'La parole a été donneé à l'homme pour déguiser sa pensée'.

P243:

According to Nietzsche in his paper 'Über Wahrheit und Lüge im aussermoralischen Sinne': 'A comparison between different languages shows that the point about words is never their truth or adequacy: for otherwise there would not be so many languages.'

P244:

A poem is maximal speech. 'Au contraire d'une fonction de numéraire facile et représentatif comme le traite d'abord la foule,' writes Mallarmé in the preface to René Ghil, 'le dire, avant tout rëve et chant, retrouve chez le poete, par nécessité constitutive d'un art consacré aux fictions, sa virtualité.' (a Saying - un Dire)

P249:

He talks about Cicero's famous precept not to translate verbum pro verbo, in his Libellus de optimo genere oratorum of 46 B.C. and Horace's reiteration of this formula in the Ars poetica some twenty years later.

P250:

The adage, familiar to Novalis and Humboldt, that all communication is translation, took on a more technical, philosophically grounded force in the twentieth century.

P261

...Giordano Bruno's assertion, reported by Florio, that 'from translation all Science had its offspring'....

P261

Goethe wrote to Carlyle in July 1827: 'Say what one will of the inadequacy of translation, it remains one of the most important and valuable concerns in the whole of world affairs.'

P269

The true road for the translator lies neither through metaphrase nor imitation. It is that of paraphrase 'or translation with latitude, where the author is kept in view by the translator, so as never to be lost, but his words are not so strictly followed as his sense, and that too is admitted to be amplified, but not altered'.

P274

Translation is the perpetual, inescapable condition of signification.

”Silence is not the contrary of the Word but its guardian.”

George Steiner

The Portage to San Cristobal of A.H.

Notes on Sanskrit

Some notes on Sanskrit. I'm very much a beginner, but I see a lot of similarities with European languages.

"Iskrtir nāma vo mātātho yūyam stha Niskrtīh"

"Your mother (her) name (is) Healer, hence you too are Removers (of illness)."

nāma = name

vo mātā = your mother

yūyam = you

stha (estis) = are (to be)

The letter "n" is present in Greek (poimên, termôn, etc.), and absent in Sanskrit (ātma, rājā, etc.) and in Latin (sermo, homo, etc.).

poimên = shepherd

termôn = place of sanctuary

(Irish: An Tearmann)

ātma = self

rājā = king

sermo = speech

homo = man

"Chariot" in Sanskrit is "ratha", in Latin "rota", Lithuanian "rātas". The German for "wheel" is "rad". And we have "rothar" in Irish (Gaelic) for "bicycle". "roth" is "wheel" in Irish (Gaelic). All related! The connections are there, over such long distances and back many centuries.

Rigveda 8.24.15: nahy àngá purá caná jajñé vīrátaras tvát "a hero stronger than you has not been born."

vīrátara = more manly

Sentence in Sanskrit from the Rigveda 7.71:

ápa svásur uşáso nág jihīte

away sister dawn night departs

"Night departs from her sister dawn."

Notes on Chateaubriand's work "Mémoires d'outre-tombe."

Volume I, Book 21, Chapter 13, ff 862 – 865

Entrées des Alliés dans Paris.

I was very surpised to read in this Chapter about the Allies (Russia and Prussia) entry into Paris in 1814 after Napolen's retreat from Russia. This is something I never heard about in school or read about anywhere else!

This is how Chateaubriand describes the scene:

… Toutefais cette première invasion des alliés est demeurée sans example dans les annales du monde: l'ordre, la paix et la modération régnèrent partout; les boutiques se rouvrirent; des soldats russes de la garde, hauts de six pieds, étaient pilotés à travers les rues par de petits polissons français qui se moquaient d'eux, comme des pantins et des masques de carnaval. Lex vaincus pouvaient être pris pour les vainquers; ceux-ci, tremblant de leur succès, avaient l'air d'en demander excuse. La garde nationale occupait seule l'intérieur de Paris, á l'exception des hôtels oú logeiaent les rois et les princes étrangers. Le 31 mars 1814, des armées innombrables occupaient la France; quelques mois après, toutes ces troupes repassèrent nos frontières, sans tirer un coup de fusil, sans verser une goutte de sang, depuis la rentrée des Bourbons. L'ancienne France se trouve agrandie sur quelques-unes des ces frontières; on partage avec elle les vaisseaux et les magasins d'Anvers; on lui rend trois cent mille prisonniers dispersés dans les pays où les avait laissés la défaite ou la victoire. Après vinght-cent années de combats, le bruit des armes cesse d'un bout de L'Europe à l'autre …

…On proposait á Alexandre de changer le nom du pont d'Austerlitz:« Non,» dit-il, « il suffit que j'aie passé sur ce pont » avec mon armée. » …

… Alexandre Après avait quelque chose de calme et de triste : il se promenait dans Paris, à cheval ou à pied, sans suite et sans affectation. Il avait l'air étonné de son triomphe; ses regards presque attendris erraient sur une population qu'il sembleait considérer comme supérieure à lui : on êut dit qu'il se trouvait un barbare au milieu de nous, comme un Romain se sentait honteux dans Athènes. Peut-être aussi pensait-il que que ses même Français avaient paru dans se capitale incendiée; qu'à leur tour ses soldats étaient maîtres de ce Paris où il aurait pu retrouver quelques-unes des torches éteintes par qui fut Moscou affranchie et consumée, Cette destinée, cette fortune changeante, cette misére commune des peuples et des rois, devaient profondément frapper un esprit aussi religieux que le sien.

demeurée = has remained

goutte = drop

vaisseau = flow

attendri = tender

éteintes = extinguished

The Russian word shum from the Noise of Time by OSIP Mandelstam

These notes are about the difficulties encountered by the translator with the Russian word shum in the
the book, The Noise of Time, by OSIP Mandelstam

Book: The Noise of Time by OSIP Mandelstam

Translated by Clarence Brown

The translator had difficulties translating the title of the book.

He wrote:

The Russian title of The Noise of Time is Shum vremeni. The translation of shum is difficult out of all proportion to the miniature size of the word. My first choice was “noise,” and it found favor with some but there was impressive insistence that shum is best rendered by “sound.” On the point of yielding, I was stopped by that dean of scholiasts, Vladimir Nabokov, whose four-volume translation of and commentary on Pushkin’s Eugene Onegin (New York, 1964) arrived in the nick of time. In his annotation of line 9 out of One: xxxv – Prosnulsja utra shum prijatnyj, rendered by him as “Morn’s pleasant hubbub has awoken” – Nabokov provides us with a characteristic little essay on the various nuances of shum. The transliteration in what follows is his:

“An analogous line occurs in Poltava (1828), pt. 11, 1. 318: razdálsya útra shúm igrívïy, `morn’s frisky hubbub has resounded.` Compare these epithets with those used by English poets, e.g., Milton’s ‘the busy hum of men’ and John Dyer’s ‘the Noise of busy Man.’

“Generally speaking, the sense of shum implies a more sustained and uniform auditory effect than the English ‘noise.’ It is also a shade more remote and confused. It is at heart more of a swoosh than a racket. All its forms – shum (n.), shumnïy (adj.), shumyashchiy (part.), shumet’ (v.) – are beautifully onomatopoeic, which ‘noisy’ and ‘to noise’ are not. Shum acquires a number of nuances in connection with various subjects: shum goroda, ‘the hum of the city,’ ‘the tumult of the town’; shum lesov, ‘the murmur of woods’; shumyashchiy les, ‘the sough of forests’; shumnïy ruchey, ‘the dinning stream’; shumyashchee more, ‘the sounding sea,’ the rote, the thud, and the roar of the surf on the shore – ‘the surgy murmurs of the lonely sea,’ as Keats has it in Endymion 1. 121. Shum may also mean ‘commotion,’ ‘clamor,’ and so forth. The verb shumet’ is poorly rendered by ‘to be noisy,’ ‘to clatter.’” (Vol. 2, 143f.)

The solace which I find in this is not, of course, what Nabokov has to say about “noise,” since he specifically rejects it in favor of “hubbub.” It is the evidence of his uneasiness with the latter, which produces the delightful change-ringing on the various shades of shum. As in all such cases, the final choice is a matter of taste.

The relevance of these deliberations to Mandelstam’s work is central. The insipid word “sound,” which is virtually without overtones, cannot serve to describe the disjointed, elliptical style of these memoirs. If the faint but deliberate cacophony that arises from this mumbled juxtaposition of Finnish sleigh-bells, strolling brass bands, the alpine chill of concerts by Hofmann and Kubelik, the wheezing of Julij Matveich, and Vladimir Gippius’s bellowing summons to the hack seems to the reader, as it does to me, inadequately reflected in “noise,” let him contemplate in Nabokov’s note some of the things to which Mandelstam’s inner ear was attuned when he named his work Shum vremeni.

G connais une fille qui 'sappel Disha
Qui venais ici de Maurisha
Elle veut reste ici elle me dit
Mais c'est possible g dit
Et alors Il faut le croire

Et moi g vien de Dublin
et naturellement g m’appel Martin!

David Grossman, The Writer

I’m reading David Grossman’s book, Lovers and Strangers. I like it. This is the first piece of work by Grossman that I’ve read, after hearing that he was a very good writer. It’s written in a very concentrated and condensed style. You really need to concentrate when reading it so that you don’t miss what he is describing or you don’t miss his nuances.

The book: Lovers and Strangers

Published by Bloomsbury

Copyright 2002

Grossman

is a very impressive writer. I’ve only read this book, Lovers and Strangers, by him so far, and am very impressed. He is very modern and uses all the latest writing techniques. He is acquainted with recent advances in genetics. I look forward to reading more by him. He mentions another writer who he liked Sholem Aleichem (Solomon Naumovich Rabinovich). It would be worth reading him as well.

The Myths series by the Publisher Canongate brings together some of the world’s finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Chinua Achebe, Margaret Atwood, Karen Atmstrong, AS Byatt, David Grossman (who I’ve read), Milton Haroum, Natsuo Kirino, Alexander McCall Smith, Tomás Eloy Martínez, Victor Pelevin, Ali Smith, Donna Tartt, Su Tong, Dubravka Ugresic, Salley Vickers and Jeannette Winterson.

A great selection of World Music is available at the moment at:

http://www.bbc.co.uk/radio3/worldmusic/

Real Presences by George Steiner, Published 1989

Page 146

Translation comprises complex exercises of salutation, of reticence, of commerce between cultures, between tongues and modes of saying. A master translator can be defined as a perfect host.

Page 221

No period since the early Renaissance has been more concerned with, has addressed itself more insistently to, the nature of the mythical than our own. Remythologization in a time which has found agnostic secularism more or less unendurable ma, in future, be seen as defining the spirit of the age.

nostromo – the book by joseph conrad

On page 471 he has a good description of a man:

“What he lacked was the polished callousness of men of the world, the callousness from which springs an easy tolerance for oneself and others; the tolerance wide as poles asunder from true sympathy and human compassion. This want of callousness accounted for his sardonic turn of mind and his biting speeches."